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I think one of the best parts
of this story, is that the "falling action" is left out and therefore purposefully
ambiguous (open to reader interpretation). The story ends quite abruptly at the
climax. Ulrich and Georg, long time generational enemies, have at last, in their
life-threatening predicament, become friends. Calling out together for help shows that
they have embraced the idea of unifying. When they see figures in the distance, then,
they believe for a moment (together) that they are saved.
Until:
"No," said Ulrich with a
laugh, the idiotic chattering laugh of a man unstrung with hideous
fear."Who are they?" asked Georg quickly, straining his eyes to see
what the other would gladly not have
seen."Wolves."
This
is where the story ends. In addition to the surprise ending (which is a great example
of situational irony), the author leaves the fate of the two men untold. The audience
is left to their imaginations. Like the original (and arguably better) horror movies,
showing and telling lessactually produces more. The human
imagination has the ability to end this tale with a much creepier and more chilling
image than the author likely could have done with words.
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