In many respects, Bono's interaction with Troy is critical to
the thematic development of the drama. The theme of how one responds to adversity is of vital
importance in the drama. Troy offers one approach, becoming victimized to the world's cruelty and
harshness. Bono is another side to this equation. Having met Troy during their time in prison,
Bono "goes straight" after serving his time. Like Troy, he struggles under the weight of class
and race in modern America. However, Bono focuses on the love of his wife, Lucille, represents
that there can be redemption from a social setting that is blisteringly painful. Bono's
interaction with Troy almost is like that of the redemptive element of his conscience. As Troy
further envelops himself with Alberta, Bono's voice tries to raise in intensity, but, in the end,
Bono distances himself from Troy, almost as if to convey that he understands how Troy has become
victimized by the pain of the world and he desires to steer clear of such a predicament. Their
closeness in the first scene of the play is a stark contrast to the coldness seen in fourth scene
of the Second Act. Troy might be a driver, and Bono still picks up trash on a different route,
but Bono is happy with his own life and seeks to remain distinct from the misery and pain that
seems to stick to Troy. With this, one sees that there is a contentment in Bono that will never
be with Troy, confirmed in the next scene with his death.
Friday, December 26, 2014
How does Bono interact with the characters in the play, Fences?
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