Thursday, March 14, 2013

Talk about the irony reflected in Helene Johnson’s “Sonnet to a Negro.” With reference to the images used.

To me, the general irony in the poem lies in the
simultaneous praise and scorn of this "Negro in Harlem."  Written in 2nd person, the
speaker communicates directly with an unnamed black man or woman, assumedly walking down
the streets of New York during the Harlem Renaissance.  Words like "magnificent," 
"perfect body," and "splendid" praise this person's natural beauty.  "Your head thrown
back in rich, barbaric song" and "I love your laughter," draw from more primitive
African images and praise this person's pride in identity.  In one reading, it sounds
very much like a thematically accurate poem for the Harlem Renaissance.  It sounds like
a celebration of individuality and heritage, and encouragement to stand tall and
proud.


However, mixed with these images of praise are
negative images and negatively charged diction which suggest a tone of scorn.  The
phrases "Pompous gait," and "Small wonder that you are incompetent to imitate those whom
you so despise," have a slight suggestion of something
negative.


Don't read it wrong, however.  The
speaker does not scorn the individual of whom he speaks.  Instead,
the negatively charged diction plants the already present seed of scorn which existed
between black and white people during that time.  Black Americans were struggling with
the balance between being fully themselves and loving who they were, and being hated and
scorned for exactly that by white people.


This poem manages
to capture both the black and white sentiments together.  The irony lies in the blending
of these sentiments.  It is sadly ironic, afterall, that the very thing that makes some
people who they are, is what makes others hate them.

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